Something that at first sight might seem a little bit

magical ~

~it really isn't...

happens

~when a "dead weight" but balanced rotor is added to the speaking length of ~

scroll on down, won't you?

of all the crazy places to go

Here's another airbrush animation that I did early in the development of this site. It serves no purpose other than to clog up the server and irritate by downloading slowly but it took some time to do and I'm damned well going to use it somewhere. Here seems as good a place as any...

 

Lost? Go Home!just a short reminder that clocks go back home

 

 

 

 

If the taut string is plucked or "twanged" the rotor will start to spin and at the same time seek to move to the central point of the speaking length: the octave node.

The energy stored in the (inevitably) slightly elastic string by the act of plucking must go somewhere and the "path of least resistance" is sought by the rotor as default, rather like water running downhill.

The shorter length, to one side of the rotor will initially act as a complete string just as the longer section will but being subject to the same tension will vibrate faster and impart more "nudges" per second to the rotor, thus edging it nearer to the central point of equilibrium, allowing the resonant frequency of each section to match, in turn allowing optimum dissipation of the potential energy of the whole string.

This demonstrates just exactly what an efficient machine a music string is. Quite possibly, by definition, a music string is the most efficient machine, being a near perfect illustration of the shortest distance between two points in a curved universe. What could be simpler?

Maybe one could compare the beauty of this deceptive simplicity to Quantum itself. At the very least, this small experiment demonstrates that the dynamics of a vibrating music string involve circular, ellipical or more complex patterns of movement (otherwise no spinning of the rotor would occur).

 

central section...